Theoretically Media | The AI Film Workflow No One is Talking About.

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Theoretically Media | The AI Film Workflow No One is Talking About.

Here's the full AI Film masterclass breakdown, every tool, every technique, every mistake, and exactly what it cost.

This is a complete production walkthrough of "Dragon Blue," my AI short film made with Seedance 2.0, Nano Banana Pro, Claude Cowork, and the Luma Agent board.

I cover the entire pipeline from pre-production and reference image generation through video generation, post-production, and final deliveryinc, inluding the multilingual prompting tricks, safety filter workarounds, and Omni model techniques that made this workflow possible.

Whether you're exploring AI filmmaking for the first time or looking to level up your production pipeline, this video breaks down a real workflow you can replicate with the tools available right now.

00:00 - Intro

00:42 - Watch: "Dragon Blue" AI Short Film

04:27 - Kill Bill Vibes & How This Started

05:02 = The Tools: Seedance 2.0, Nano Banana Pro, Claude & More

05:36 - Claude Cowork as a Production Office

07:59 - Reference Images with the Luma Agent Board

09:07 - Scripting & Nano Banana Prompt Templates

09:58 - Spray & Select Workflow for Image Generation

11:13 - Color Palette & Scene Design Choices

12:26 - Moving into Seedance 2.0 (Dreamina Omni Model)

13:19 - Struggles: Getting Out of the Car Scene

13:53 - Hero Moment #1: The Fight Scene

15:10 - Hero Moment #2: The Silhouette Fight (Oner Attempt)

16:10 - Multilingual Prompting Trick (Chinese Prompts)

17:07 - Hero Moment #3: Katana Girl in the Sunglasses

17:29 - Japanese Dialog & Multilingual Generation

17:54 - Safety Filter Frustrations

18:21 - Post-Production & Editing Workflow

19:00 - Continuity Errors (Yes, I Saw Them Too)

19:38 - Production Time & Full Cost Breakdown ($187)

21:19 - AI vs Hollywood Budget Comparison

22:24 - "Is This a Real Movie?" — The Big Picture

Theoretically Media

Tim

Theoretically Media | The AI Film Workflow No One is Talking About.

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